JOHN KEEL NOT AN AUTHORITY ON ANYTHING

Marand And here’s the final installment of “The World of the Living Dead,” John’s treatment for a remake of White Zombie. He pulls out all the stops for the action-packed finale!

And Happy Assorted Holidays to you all!

We’re nearing the end of “The World of the Living Dead”; this is the next-to-last installment. Terrible things are happening, and Countess Valdera is becoming frightened…

The story continues! For newcomers: this is John’s 1965 treatment for a remake of the 1932 film White Zombie.

We continue with the next installment of John’s 1965 treatment for a remake of the 1932 film White Zombie. As Neil says, “There’s some strange evil stalking this house.” Happy Halloween!

The story continues… For readers who haven’t seen the earlier posts, this is John’s 1965 treatment for a remake of the 1932 film White Zombie. So, get your popcorn and keep reading.

We continue with The World of the Living Dead, John’s 1965 treatment for a remake of the film White Zombie. The Countess is turning up the heat…

We return now to our scary serial, John’s 1965 treatment for a remake of White Zombie. The Countess is not to be trusted!

We continue with John’s 1965 treatment for a proposed remake of White Zombie. In this next bit we meet the sinister Countess Valdera. John seems to be having a lot of fun with this assignment.

I’m having some trouble with the comments, but I hope to get everything fixed soon.

ADDENDUM: Everything seems to be working again. Comment away!

I apologize to Keel fans for not posting in August. I’ve been busy with my own many projects, some Fortean, some not. But I’m back, and here to offer you a definite curiosity: a treatment for a zombie film by John Keel.

In 1965, John was toiling away in NYC as a freelance writer. He had had a spell of writer’s block after the publication of Jadoo, and had not yet started investigating UFOs. One of the jobs he undertook was a treatment for a remake of White Zombie, the 1932 movie starring Bela Lugosi. The rights to it were owned by Sherman S. Krellberg, a film distributor and occasional producer; among other things, he distributed the Hopalong Cassidy films and repackaged Flash Gordon serials. (You can find more about him in this description of his papers at the Library of Congress).

The film was never made, but here’s John’s idea of what it could have been.

And here’s the ending of John’s early story, “The End of the Hunt.”

(A personal note: I apologize for posting less frequently recently. I’ve been busy!)